Published by Lydgalleriet
Printed at Pamflett
Vibrational Semantics – a new text series on the performative use of the voice. The Vibrational Semantics text series explores the voice’s ability to shift between signification and sonority, from speech sound to noise. Questions of linguistic ambiguity, embodied voicing and feeling/meaning are investigated in relation to the place and presence of the performed voice.
The project is part of artist Samuel Brzeski’s ongoing artistic engagement with Lydgalleriet.
Vibrational Semantics is part the EU program Oscillations–Exercises in Resilience, also supported by Bergen Kommune.
Lydgalleriet er Norges eneste faste utstillingsplattform for lydkunst og lydbasert kunstpraksis. Vi utforsker et mangfold av eksperimentell, lydbasert kunst, auditive kulturer og soniske medier gjennom galleriutstillinger, flerkanalskonserter, diskursivt arbeid og live arrangement.
Published by Lydgalleriet
Printed at Pamflett
70 NOK / All five in the series: 250 NOK. See all five here.
Vibrational Semantics – a new text series on the performative use of the voice. The Vibrational Semantics text series explores the voice’s ability to shift between signification and sonority, from speech sound to noise. Questions of linguistic ambiguity, embodied voicing and feeling/meaning are investigated in relation to the place and presence of the performed voice.
The project is part of artist Samuel Brzeski’s ongoing artistic engagement with Lydgalleriet.
1) The first in the series is DEAR EAR by artist, writer and poet Cia Rinne. DEAR EAR is a fragmentary text, moving through subvocalisation, lingual acrobatics, ingressive speaking and rhythmic reading in various experiences of the voice.
Vibrational Semantics is part the EU program Oscillations–Exercises in Resilience, also supported by Bergen Kommune.
Published by Lydgalleriet
Printed at Pamflett
70 NOK / All five in the series: 250 NOK. See all five here.
Vibrational Semantics – a new text series on the performative use of the voice. The Vibrational Semantics text series explores the voice’s ability to shift between signification and sonority, from speech sound to noise. Questions of linguistic ambiguity, embodied voicing and feeling/meaning are investigated in relation to the place and presence of the performed voice.
The project is part of artist Samuel Brzeski’s ongoing artistic engagement with Lydgalleriet.
2) The second instalment of the Vibrational Semantics series is Belong to Me is by musician, artist and open water swimmer Lisa Busby. Her work takes the form of a visual score, a sound work and a short accompanying essay on the metaphorical act of singing underwater. It is beautifully haunting.
Vibrational Semantics is part the EU program Oscillations–Exercises in Resilience, also supported by Bergen Kommune.
Published by Lydgalleriet
Printed at Pamflett
70 NOK / All five in the series: 250 NOK. See all five here.
Vibrational Semantics – a new text series on the performative use of the voice. The Vibrational Semantics text series explores the voice’s ability to shift between signification and sonority, from speech sound to noise. Questions of linguistic ambiguity, embodied voicing and feeling/meaning are investigated in relation to the place and presence of the performed voice.
The project is part of artist Samuel Brzeski’s ongoing artistic engagement with Lydgalleriet.
3) The third instalment of the Vibrational Semantics series is a new text by poet, writer and performer Holly Pester. Five Devours is a text about need and food as a part of speech, about speech’s relationship to nourishment and hunger; the currency between eating and speaking, expending and consuming.
Vibrational Semantics is part the EU program Oscillations–Exercises in Resilience, also supported by Bergen Kommune.
Published by Lydgalleriet
Printed at Pamflett
70 NOK / All five in the series: 250 NOK. Se all five here.
Vibrational Semantics – a new text series on the performative use of the voice. The Vibrational Semantics text series explores the voice’s ability to shift between signification and sonority, from speech sound to noise. Questions of linguistic ambiguity, embodied voicing and feeling/meaning are investigated in relation to the place and presence of the performed voice.
The project is part of artist Samuel Brzeski’s ongoing artistic engagement with Lydgalleriet.
5) A Tone or Two is a text score and voice work by Marie Thams. Noticing a shift in her voice in recent years, Thams looks into how, within the last decades, female voices have lowered 23hz in pitch. She explores this phenomenon in relation to ideas about authority, electability, courage and rhythmicity.
Vibrational Semantics is part the EU program Oscillations–Exercises in Resilience, also supported by Bergen Kommune.
Published by Lydgalleriet
Printed at Pamflett
70 NOK / All five in the series: 250 NOK. Se all five here.
Vibrational Semantics – a new text series on the performative use of the voice. The Vibrational Semantics text series explores the voice’s ability to shift between signification and sonority, from speech sound to noise. Questions of linguistic ambiguity, embodied voicing and feeling/meaning are investigated in relation to the place and presence of the performed voice.
The project is part of artist Samuel Brzeski’s ongoing artistic engagement with Lydgalleriet.
4) Words are my warders but don’t keep an I on me by Daniela Cascella is the fourth text in the Vibrational Semantics series. In this text Daniela tunes into the hums of voices heard within books, to the recollected csitation, to singing with stitched lips.
Vibrational Semantics is part the EU program Oscillations–Exercises in Resilience, also supported by Bergen Kommune.
